Saturday, March 22, 2008

A list of Jazz Butcher albums purchased 1984-1986

Here's another list. Two of these are half complete and the others are working their way into the rotation. One of my favorite bands of the eighties, I bought everything they had for three years then stopped. No explanation.

Just fun music that didn't really fit with anything else at the time.


  1. The Jazz Butcher sings MARNIE and 4 other great tunes on a GLASS RECORD (Glass EP), March 1984
    • Marnie (Miaow Mix)
    • Zombie Love
    • Girls Who Keep Goldfish
    • Cowgirl Fever
    • Carline Wheeler's Birthday Present (Original)

  2. Scandal in Bohemia, November 1984
    • Southern Mark Smith
    • Real Men
    • Soul Happy Hour
    • I Need Meat
    • Just Like Betty Page
    • Marnie
    • Caroline Wheeler's Birthday Present
    • Mind Like A Playgroup
    • Girlfriend
    • My Desert

  3. Sex and Travel, May 1985
    • Big Saturday
    • Holiday
    • Red Pets
    • Only A Rumour
    • President Reagan's Birthday Present
    • What's The Matter, Boy?
    • Walk With The Devil
    • Down The Drain

  4. Gift of Music, March 1985
    • Southern Mark Smith
    • Marnie (Miaow Mix)
    • Roadrunner
    • Real Men
    • Jazz Butcher -v- Count Dracula
    • Zombie Love
    • Girls Who Keep Goldfish
    • Sweet Jane
    • Rain
    • JB -v- PM
    • Water
    • Partytime
    • Lost In France
    • Drink

  5. Real Men, February 1985
    • Real Men
    • JB -v- PM
      Southern Mark Smith (Original)

  6. Human Jungle, September 1985
    • The Human Jungle
    • Death Dentist
    • The Devil Is My Friend

  7. Hard, 1986
    • Hard
    • Grooving In The Bus Lane
    • Vienna Song
    • Thing

  8. Conspiracy, May 1986
    • Conspiracy
    • Forever
    • Peter Lorre
    • Big Old Wind

Thursday, March 20, 2008

You can purchase this record with no fear of its becoming obsolete in the future

I think I'm losing my focus. My intent in starting this site was to catalog all my old vinyl that I haven't listened to in years. Instead, I keep purchasing and borrowing additional records. For example, I just brought home the following:

  • Julie and Carol at Carnegie Hall starring Julie Andrews and Carol Burnett. Columbia Records 1962, Monaura-OL 5840
    According to the entry at Amazon.com, a CD was released in 1989. The Amazon link shows seven for sale starting at $99.00. The 1962 LP is available at eBay for $14.99. I paid $4.00. Possible youtube clip from the TV special -- I haven't checked this.


  • LBJ Menagerie. Jubilee Records, JGM 2068. Date currently unknown.
  • The watergate Comedy Hour. Written by Jack Burns & Avery Schreiber and Ann Elder. Featuring the Watergate Seven: Jack Burns, Ann Elder, Fannie Flagg, Bo Ridgely, Jack Riley, Avery Schreiber, and Frank Welker. Hidden Records, 1972, ST-11202

  • The Begatting of the President. Orson Welles. United Artists, 1969, UAS-5521. This was also available in book form.

What Ever Happened to Orson Welles?: A Portrait of an Independent:
During the Nixon era, Welles provoked another round of scrutiny by the IRS when he narrated a laboriously satirical record about Nixon told as a faux biblical tale, The Begatting of the President (1969). For a while that harassment drove him back overseas. Welles ran afoul of the IRS again in the early 1970s when it seized money paid to his compnay in Switzerland for an unfinished TV special he had been directing for CBS in 1968-70, Orson's Bag. He considered his company a production company, but the IRS ruled it a holding company. That tax problem led CBS to cancel the show and also caused difficulties with the funding of his feature The Other Sode of the Wind.

From Orson Welles: Rise and Fall of an American Genius:
Back in Hollywood, Welles made a phonograph record, The Begatting of the President, that ran into a storm of controversy. Brought out by Mediarts, it was banned by Metromedia stations and broadcast mainly on FM stations. The record was a bold onslaught on Richard Nixon, delivered in a quasi-biblical mode ("A little child shall be born in a grocery store in Whittier, and he shall sit upon the throne, and his administration shall be established greatly. Now the begatting of Richard Nixon was in this wise...") Welles won a Grammy for the record

The post title comes from a guarantee on the Julie and Carol album. Here's the full text:

This Columbia high fidelity recording is scientifically designed to play with the highest quality of reproduction on the phonograph of your choice, new or old. If you are the owner of a new stereophonic system, this record will play with even more brilliant true-to-life fidelity. In short, you can purchase this record with no fear of its becoming obsolete in the future.

Not sure when I'll get to these, though I'll probably work in the political stuff before the elections are over.

Sunday, March 16, 2008

Elect Slappy White For Vice President



LAFF Records-A190 LP
Copyright 1975
It's Better to run with a black man...than from one!

In 1969, Time magazine, declared Black Can Be Funny and repeated a couple of Redd Foxx and Slappy White jokes:
Javelin Catcher. The Laugh-In producers put together a whole hour of such material, a sort of all-black Laugh-In called Soul, which NBC ran as a special earlier this season. In a typical bit, Redd Foxx told Slappy White of the first Negro athletic-scholarship winner at the University of Mississippi —"He's a javelin catcher." White observed that Oct. 27 is a Negro holiday — "That's the day when the new Cadillacs come out."

In 1970, Time returns with an article exploring the communications aspect of Black humor. Slappy White:
Three-button-suit-and-watermelon material now has mainly nostalgic value. Black laughter currently reflects a burgeoning self-confidence, an emerging sense of pride and power. It also reflects an understanding that, however unjustly, many whites are tired of being made to feel guilty. Says Peter Long, advertising director of Harlem's Apollo Theater: "Five or six years ago, people were embarrassed to be conservatives. Now there's no shame in it." Indeed, as Slappy White points out, "The swing is away from racial humor, because people won't laugh at talk about violent confrontation. They don't see anything funny about the Panthers."

Mr. White, who passed away in 1995, I remember from the Sanford and Son show (he was a contemporary of Redd Foxx and they appeared on the same label) and Friar's Roasts. I don't remember whether he was funny. Unfortunately, this album isn't that funny. Only vaguely political, the idea of running for vice-president is mostly an excuse to repeat old and tired jokes with a smattering of dope humor. Even his timing doesn't seem that great, though he occasionally shocked a chuckle out of me -- the Little Richard crack being a good example. A few references elude me. Asked who was his first choice for running mate, Mr. White replies "Nancy Wilson, but she out ran me." Huh? But his reason why the black vote was so low is excellent: "Because it's hard to write with a ballpoint pen on wax paper over butter."

Picked this up because I recognized his name. And being a political year, with a black candidate, I thought a black comedian's political album from 1975 would be interesting. Unfortunately, it didn't really work for me. Maybe your take will be different.

Regarding the 1975 date. A number of the references sound earlier and for a 1975 record that mentions Nixon a handful of times, there is nothing about Watergate. There is a 1972 LP with the same name and a different cover. My guess is this is a rerelease of the '72 album.

The tracks are cleanly separated on the album but not named. The names listed below are my own based on the content.

***With all the Disneyland stuff I'm putting up, perhaps I should be clear and state that this record is not small kid appropriate. Consider it rated R.***

Side 1
  1. We proudly present the next Vice-President of America
  2. My luck is terrible
  3. Put a Polack in the White House
  4. Press conference
  5. Why was the black vote so low?
  6. War on poverty
  7. The good of the country
  8. Will there ever be a woman in the White House?

Side 2
  1. Before I get into my campaign speech
  2. Speaking of hot pants
  3. Afro haircut
  4. Are there any black holidays?
  5. Now that the voting is over


Liner Notes (I did my best to recreate the schizophrenic typography)
1976 BI-CENTENNIAL Election: What better way to exemplify our country's progress than a Black and White man running on the Democratic ticket for PRESIDENCY and VICE-PRESIDENCY of these UNITED STATES! (Ain't that sump-in??)

The Great Sovereign State of Alabama, whose Civil Rights Laws have been unparalleled, has brought fort a Great leader; a fair and impartial man, an unbiased and unprejudiced man -- Alabama proudly gives you GEORGE WALLACE -- A MAN WHO IS NONE OF THESE THINGS! Through George's infinite insight into the racial complexities of today's world, he has decided "TIS WISER TO RUN WITH A BLACK MAN THAN FROM ONE"...(How's that for smart thinkin'?)...George Wallace reasoned that he needed a MAN of impeccable integrity, insuperable intellect, a man of class, a gentleman and scholar, but who? Aahhh, who ELSE could better meet these qualifications than the incomparable SLAPPY WHITE????

His years have been hard and he has formed firm deep rooted beliefs in the AMERICAN DREAM. Being a conscientious Citizen, an issue of major concern to MR. WHITE is deceit; the intentional misrepresentation that has become a dominant factor in our political scene, the fraudulent activities that govern an astounding majority of our political leaders. This wave of hidious injustices that has infiltrated all avenues of our political system is monstrous -- and MUST be dealt with -- NOW -- SLAPPY WHITE is the man that CAN and WILL -- DEAL!!

Overwhelmed by the desperate cries of his fellow countryman, plagued by public demand, SLAPPY can no longer resist the CALL to serve the America he so loves. Therefore, without further hesitation, SLAPPY joins the race for Vice-President. Campaign headquarters have been carefully selected and have been established in one of the plusher gambling casinos in LAS VEGAS. (After all, if you've got to DEAL and you've decided to PLAY, where else would be more logical?) His campaign will be conducted with fun and satirical wit. SLAPPY attacks the disease of hate and bigotry with ridicule and offers a Platform of total Honesty and Commitment.

That's right, with SLAPPY WHITE there need be no worry of BROKEN PROMISES -- no despair over UNFULFILLED COMMITMENTS -- How can we be so sure? -- LISTEN TO THE ALBUM, MAN...SLAPPY promises you NOTHING...and commits himself to NOTHING but HIS OWN PLEASURE (Now, now, ain't that better than being LIED to?) Besides, his liberal views on legalizing marijuana guarantees heavy votes for he and Wallace.

SLAPPY WHITE, a Man who is not afraid to stand and be counted -- a Man not afraid of being LAFF-ed at -- and -- can lead the LAFF-ter in a Good Cause -- THE CASUE OF FUN!!

After you've checked out this album, I'm sure you will join LAFF and cast your vote for SLAPPY WHITE for "VICE-PRESIDENT."
Shelby Meadows Ashford

A VOTE FOR WHITE IS A VOTE FOR RIGHT

Credits:
Producer: David Drozen
Executive Producer: Louis Drozen
Artwork: Melodye Benson


I believe that Melodye Benson might be this award-winning childrens's book author/illustrator. Can't find information on Ashford or the Drozens. My guess is that they're the LAFF Record producers.

Here's a Laff Records Illustrated Discography.

Friday, March 14, 2008

Something Wild Soundtrack




Side One
Loco De Amor (Crazy For Love)
Performed by David Byrne with Celia Cruz
Produced by David Byrne
1986 Sire Records

Ever Fallen in Love
Performed by the Fine Young Cannibals
Produced by Jerry Harrison and the Fine Young Cannibals
1986 International Records Syndicate/London Records

Zero, Zero Seven Charlie
Performed by UB40
Produced by UB40
1986 A&M Records/Virgin Records

Not My Slave
Performed by Oingo Boingo
Produced by Danny Elfman and Steve Bartek

You Don't Have to Cry
Performed by Jimmy Cliff
Produced by Arthur Baker
1986 CBS Records

Side Two
With You or Without You
Performed by Steve Jones
Produced by Bob Rose

High Life
Performed by Sonny Okossun
Produced by Sonny Okossun for Elephant Productions
1983 Serengeti Records

Man With a Gun
Performed by Jerry Harrison
Produced by Jerry Harrison
1986 Sire Records

Temptation
Performed by New Order
Produced by New Order
1982 Factory Communications

Wild Thing
Performed by Sister Carol
Produced by Percy Chin and Jah Life and by Arthur Baker


More credits:
Executive Producer: Jonathon Demme
Associate Producer: Edward Saxon
Music Supervisor: Gary Goetzman
Post Production Supervisor, Religioso Primitiva Productions: Loretta Farb
Music Consultant for MCA Records: Kathy Nelson


From the back cover:


Art Direction: Jeff Adamoff
Design: DZN, The Design Group
Original Painting "Something Wild" by Tony Fitzpatrick and photographed by Wayne Sides

Tuesday, March 11, 2008

Disneyland LLPs

Disneyland Record and Books are, as the back cover explains a "24 page books with full-color illustrations and a 7 inch 33-1/3 long playing record with the narrator reading every word exactly as the child sees it in the book...Plus songs about the story they hear and see."

Most of these (maybe all, I guess we'll find out) are narrated by Robie Lester. An incredible voice talent, you might remember her as the statuesque school teacher and Mrs. Kris Kringle in "Santa Claus Is Coming to Town."

Going by the list on the flyer for one of the later printings, there were 65 of these storybooks. Here's what I have:
  • LLP 301. Sleeping Beauty
  • LLP 302, Mary Poppins
  • LLP 303, Three Little Pigs
  • LLP 304, Peter Pan and Wendy
  • LLP 306, Alice in Wonderland
  • LLP 307, Lady and the Tramp
  • LLP 308, Cinderella
  • LLP 309, Bambi
  • LLP 310, Snow White and the Seven Dwarfs
  • LLP 315, Goldilocks and the Three Bears
  • LLP 317, Hansel and Gretel
  • LLP 319, Jungle Book
  • LLP 328, Little Red Riding Hood
  • LLP 337, The Gingerbread Man
  • LLP 347, Wizard of Oz
  • LLP 349, Aristocrats


And Disneyland long-playing records of songs with no books:
  • FS-914, Happy Birthday
  • 926, Robin Hood

Wednesday, March 5, 2008

Walt Disney presents It's A Small World



Disneyland Record - 1289
1965

18 favorite folk songs sung by Disneyland Boys Choir. Under the direction of Paul Salamunovich, arrangements by Willard Jones, produced by Camarata.

Accoding to the Boy Choir and Soloist Directory:
The Disneyland Boys Choir was formed to provide the music for the Small World attraction in the park, and there was only one album and one single to come from that project. The choristers were primarily drawn from Paul Salamunovich's church choir, St. Charles Borromeo in North Hollywood, California. Salamunovich later became director of the Los Angeles Master Chorale.

Mr. Salamunovich can still be found here.

I was a little disappointed that it's just a collection of folk songs and not a collection of foreign language versions of It's a Small World. But maybe not as disappointed as Australia being represented by Paddy Whack. Visiting Disney World, I was a little surprised by how much I enjoyed the It's a Small World ride. It's a pleasant and relaxing boat ride through simplistic animatronics and -- I have to admit -- it's a very catchy tune. Reading BoingBoing today, I learned Disney is making what sounds like some unfortunate changes to the ride:
And in one of the most egregious and downright disgusting decisions in Disney theme park history, the gorgeous New Guinea rainforest scene, replete with some of Mary Blair’s most whimsical character creations (a crocodile with an umbrella, colorful birds hatching from eggs) and her drummer children with Tiki Masks on the opposite shore will be replaced with a Hooray for U.S.A sequence.

There's no confirmation on this at Jim Hill Media, so if this turns out to be false, I'll delete the rumor.

Straight from the fabulous year of 1965 (songs will open in new window):
  1. It's a Small World (USA)
  2. Oranges and Lemons (England) Because when I think of England, I think of citrus
  3. The Ash Grove (Wales)
  4. Comin' Thru the Rye (Scotland)
  5. Frere Jacques (France)
  6. Alouette (France)
  7. Santa Lucia (Italy)
  8. Funiculi, Funicula (Italy) Sounds like an STD you'd catch from a Mouseketeer
  9. Cuckoo (Austria)
  10. Children's Prayer (Germany)
  11. Silent Night (Germany)
  12. Paddy Whack (Australia)
  13. Kookaburra (Australia)
  14. Sukiyaki (Japan)
  15. Meadowlands (Russia)
  16. Arirang (Korea)
  17. Cielito Lindo (Mexico)
  18. Aloho Oe (Hawaii)
  19. Home On the Range (USA)
  20. Same as the first




Tuesday, March 4, 2008

X: Wild Thing and True Love



Wild Thing (Long Version)
12" Single
Elektra 0-66966
1984

Billy Zoom: Guitars
D.J. BoneBrake: Drums & percussion
Exene Cervenka: Vocals
John X. Doe: Bass

My first X record, purchased spring or summer of 1984. Must of heard Wild Thing on a radio show and bought the record for that. Then fell in love with True Love part #2. The original True Love is on the More Fun In the New World album. Though it's one of my favorite albums, I prefer the club remix of this song. Perfectly infectious groove.

Wild Thing (Long Version), 6:12
"Wild Thing" choir: Billy Zoom, D.J. Bonebrake, John X. Doe, Michael (Vienna's Boy's Choir) Wagener, Gunilla Niven, Don Dokken, Tom Zutaut

True Love Pt. #2 (Club Remix), 5:14
Dance remix by Mark Kamens at Media Sound NYC

Recorded and mixed at Total Access Studios, Redondo Beach, CA
Mastered at Artisan Recorders by Greg Fulginiti

Wednesday, January 9, 2008

James Brown dance lessons

I could watch this clip all day.


A longer clip, from a documentary.

Tuesday, January 8, 2008

Ripping vinyl

***I have some more to add and a few links to backfill, until then this is a good start***


I've been asked a few times -- both here and in the real world -- how do I record my vinyl? Is it hard and is special equipment/software needed?

The short answer is not particularly hard, and you need nothing more than some sort of turntable and basic audio editing software. If you have a workable turntable and use freeware, it's possible to begin ripping without spending one cent. Or if you're some sort of psychotic audiophile you might decide to spend thousands of dollars. More reasonably, expect to spend $100-$200 to get going.

My primary goal is to listen to albums I haven't played in 10-15 years. Never having had the kickass stereo setup with the mondo speakers, replicating a sound I never had isn't what I'm after. All I want is a decent quality without a large expenditure of time, effort, and money. With that in mind, I'll continue with the following topics:
  • My setup
  • Turntable options
  • My process
  • Cleaning your records
  • A ClickRepair example
  • Links to people who know what they're talking about


My Setup
  1. Ion iTTUSB turnable. This looks like a newer version. Only difference I see is it now includes EZVC2 software. They have a another one that records directly to an iPod.
  2. Audacity software free with turntable or free download (Mac OS X, Microsoft Windows, GNU/Linux)
  3. Sound Studio 3 (Mac OS X)
  4. ClickRepair, (Windows, Mac, Linux, Unix)


I meant to start this about 5-6 years ago, but when I hooked up ye olde record player, it was dead. Back then, for editors, most people seemed to recommend Roxio Toast. Kinda let things slide until last spring when we saw an Ion USB turntable for about $100 at Costco. If you are without a record player, a USB turntable is an easy answer. Just plug it into the computer's USB port and you're good to go.

The Ion USB turntables come with Audacity, an open source sound editor. If you already have a turntable, you can download it for free -- comes in both Windows and Os X flavors, though the Windows is a more advanced version. I found the interfact a bit clunky and the response slow, but it's servicable. A number of editing options available for cleaning up the sound. I no longer use it, but have no problems recommending it; it's a good place to start. More recent versions might improve on the performance issues I had.

Bought Sound Studio 3. Loved the interface, very user friendly, many options, and a decent manual. Simplified basic recording and track splitting while expanding what I could do with any audio.

After reading a number of reviews, I added ClickRepair software. This does one thing and it does it very well: cleans the clicks, cracks, and pops from the records without distorting the sound. Comes with a few presets and also allows you to set your own parameters. I also like that its default is to save the track under a new name so if you're unhappy with the result you haven't overwritten the original recording. My recommendation is that no matter what sound editor you use, run the file through ClickRepair for the best result. One warning, this is fairly processor intensive, so if the file is cluttered it sometimes takes longer to "clean" than it did to record.

Just realized that I never thought to test recording through Garageband. I wonder if that works?

My process
On average, I'd estimate somewhere between 1 and 1.5 hours to rip, clean, separate tracks, and move the final copy to iTunes for a 40 minute album. Without ClickRepair, I'd probably be under an hour. Because ClickRepair can be slow, I prefer to rip a few albums at a time and run through them in assembly line form. For simplicity, here's how one album works.
  1. Clean record.
  2. Record side one with Sound Studio. I record in AIFF.
  3. Clean any "dead space" at the beginning and end of the file, then save.
  4. Open side one in ClickRepair, select your parameters and begin.
  5. Record side two with Sound Studio. Save.
  6. Repeat ClickRepair with side two.
  7. In Sound Studio, open the ClickRepair version of side one.
  8. Insert track names, deleting any extra "dead air" you want. Generally there's 5-10 seconds of dead air separating vinyl tracks that you don't need for electronic copies. I'll lead a track with about .5 second of silence and leave .5 to 1 second after fadeout.
  9. Separate tracks, saving as AAC. You can also add album name, artist, genre. For genre I save as "vinyl."
  10. Repeat with side two.
  11. Drag AAC files into iTunes fixing any file metadata as necessary. Add album art that I found by searching Amazon, eBay, other dark holes of the internet.


Turntable options
But if you don't want to use a USB turntable, that's not a problem. Whether you have a turntable you enjoy or would just like to purchase one, there's really only one concern. Does the turntable have a built-in amplifier? If it does, then you can connect it directly to the computer. Probably need one of these:
  • Cords
  • radio schaack cord

If it doesn't have an amplifier then you'll need to plug the turntable into the reciever and the reciever into the computer. Or if you no longer have a reciever, you can buy just an amplifier: radio schack example, $$.

That's it. New turntables are still easy to find. Like the USB turntable, they start at around $100. There's still a market for high-end stuff costing thousands of dollars. If you're interested in spending $10K-$15K, there's a laser turntable available.

Cleaning the records
Best way to achieve a good sound is with a clean record. Rather than buying the expensive cleaning solutions I found a recipe for a homebrew version: 50% isopropyl alcohol and 50% distilled water. Spray and wipe clean with a lint free cloth.

A can of compressed air is also handy for the really dirty records and it's excellent on records with a lot of static buildup. I also use a carbon fiber record brush as a final clean.

A ClickRepair example

Links to people who know what they're talking about